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Lydia Courteille releases new collection, inspired by Marie Antoinette

On October 15, 1793, after a rushed trail, Marie Antoinette was sentenced to death on the grounds of high treason. The very next day, at 12 :15 precisely  she was guillotined . Faithful to her visceral, decadent and provocative style, Lydia Courteille preserves the Queens severed head in a golden cage as part of a pendant within the collection.  The brand Lydia Courteille was created in 1987. It was first entirely devoted to antique jewellery and only after some years and some 7000 pieces of jewellery collected and sold, Lydia Courteille decided to create her own jewellery pieces. Since 1998

Objet d’Emotion at PAD Monaco

Objet d’Emotion at PAD Monaco 26th - 28th April 2019 Grimaldi Forum 10, Avenue Princess Grace MC 98000 Monaco Showcasing a selection of fine jewels from six of the best contemporary creators including Alice Cicolini, Fabio Salini, Lydia Courteille, Melanie Georgacopoulos, Nadia Morgenthaler and Philippe Guilhem. Cicolini will exhibit a selection of her artfully handpainted meenakari enamel rings and sautoirs. Whilst Salini will present a design story united by his innovative use of carbon fibre, set with one of a kind stones to create lightweight statement jewels. Courteille’s imagining of the worlds creatures in precious gems brings a fantastical element

Auverture adds Gaelle Khouri to Luxury Offering

A carefully curated selection of Khouri's iconic pieces from her Soft Deconstruction and Garden of Earthly Delights collections is available at auverture.com  amongst the likes of Fernardo Jorge, Venyx, Lydia Courteille, Delfina Delettrez, Pamela Love, Noor Fares and Bibi van der Velden. Gaelle Khouri creates her beautifully elaborate jewellery to lend the women who wear it a feeling of strength, so they can “better express who they are, silently and effortlessly,” says the jeweller. This Lebanese designer’s creations stand out for their rare, unique beauty. Her first collection, “The Garden of Earthly Delights,” is inspired by what Khouri calls “the