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A pure white avant-garde ceramic jewelry by Raluca Buzura

Raluca Buzura found herself dialoguing with ceramic while expressing her visual interpretation of sculpting the nature writes Ilaria Ruggiero. She comes from the installation field and something very scenographic remains on her approach. The nature is her most important source of inspiration, as everything ranging in everyday life. Her work is a translation in porcelain of her personal experiences, trying to obliterate these traces during the process by simplifying the boundaries between real and abstract, in a swirl of textures and structures from which are foreseen flashes of gold. A mix of very different stylistic contributions merged together allows her to

Margit Jäschke at Schmuck Museum

Margit Jäschke Schmuck Museum, Pforzheim 10 December 2022 - 16 April 2023 The artist Margit Jäschke describes herself as a wanderer between art worlds. Transcending the common boundaries of installation, painting, sculpture and art jewellery, she has created a distinctly individual oeuvre. Deliberately blurring the distinction between wearable jewellery and autonomous works of art, she emphasises details that evoke different associations in different viewers. The jewellery artist describes her approach as follows: “If you ask me about the ‘leitmotif’ running through my work, my main priority is not on ideas, concepts, materials or processes, but I try to be aware of

As Above, So Below at Gallery S O

So Above, So Below: Kathleen Reilly 5 April – 26 May 2019 Gallery S O, London "It hits my nose before I think to notice. Brace." Gallery S O is very pleased to announce a solo-exhibition by Scottish artist and metalworker Kathleen Reilly. She presents an installation of new and existing work. The exhibition will include for the first-time a series of Reilly’s poetic writings following the theme of As Above, So Below. With this new exhibition, the audience is invited to draw parallels between her writings and the tangible outcomes, creating contemplative and subtle connections between these two facets of

Philomène Hoël: Keep It Longer

Philomène Hoël: Keep It Longer Curated by Valentina Bin and Simina Neagu Philomène Hoël’s Keep It Longer is a site-specific project which will occupy Gallery S O’s two spaces for two weeks with two shows. This will include two screens, two curators and two texts. One title: Keep It Longer. The artist will work across the gallery’s project space, which will host an immersive installation, and select a contemporary jewellery and object display in the front space. Philomène Hoël works with film and performance to activate the cinematic dimension of a space and set up intimate scenarios of crisis.

Salt of the Earth

Salt of the Earth 2019 International Fashion Showcase: Part of London Fashion Week Brave New Worlds: The changing landscape of fashion 11- 24 February 2019 Somerset House, London Salt of the Earth examines the concept of power and submission through the talismanic properties of jewellery and adornment. Exploring the complex historical, political and chemical properties of salt, the collection forms part of a conceptual installation at Somerset House during London Fashion Week 2019. The pieces look at salt’s ability to poison, erode and decay using the process of patina and conversely the material’s ability to create, rejuvenate and give life

Appointment: Judith Cobham-Lowe OBE the first woman Prime Warden of the Goldsmiths' Company

Wednesday 17 May marked the installation of trailblazing Londoner,   Judith Cobham-Lowe OBE,  as the first woman Prime Warden of the Goldsmiths' Company. Judith has a background in academia, corporate strategy and business leadership, and her year as Prime Warden will launch the decade running up to the 700th Anniversary of the Company's first Royal Charter. At least £70m  will be gifted by the Livery Company and its Charity over the next 10 years in support of the gold and silversmiths’ trade, apprentice training and other charitable activities. Recent projects include: Funding the ‘Worship and Life’ section of

Catherine Hills take over of Gill Wing

Catherine Hills take over of Gill Wing Jewellery for 20 Year Anniversary To celebrate the twenty year anniversary of Gill Wing Jewellery, the gallery we invited our long time exhibitor Catherine Hills to create a window installation showing her design processes through sketchbook, tools and ephemera she uses in her work and still life styling. Gill Wing also have used the launch of their new website launch to publish an interview with Hills' about her work with The Harry Potter films as welll as her own work life balance, sharing some tips when jewellery is both passion and your career.

ENSEMB7E Presents: ‘Hidden Layers’

‘Hidden Layers’ - An exhibition staged by MA by Project Artists Jewellery | Ceramics | Sculpture | Painting | Installation Hidden Layers serves as a metaphor for the outcomes encountered on the path of the search . The ‘deep learning’ uncovers hither-to protected or concealed layers within an individual’s practice. Diverse research areas and fine art practices combine to form this multi-disciplinary group – building an individually stronger practice. Through our research, lost, yet to be discovered, or the newly imagined are encountered. Installations and memory objects subvert conventional notions of home as a safe haven | Evocative landscapes allude

Barbara Chase-Riboud: Infinite Folds

Image Credit: Barbara Chase-Riboud: Infinite Folds, installation views, Serpentine North © Barbara Chase-Riboud 2022. Photo: © Jo Underhill, courtesy Serpentine. Barbara Chase-Riboud: Infinite Folds Serpentine North, London Tuesday 11 October 2022 – Monday 10 April 2023 Serpentine extends the first UK solo exhibition of American visual artist, sculptor, novelist and poet Barbara Chase-Riboud until April 2023. Serpentine is delighted to announce the extension of Infinite Folds, an exhibition featuring over 30 works by American-born visual artist, sculptor, novelist and poet Barbara Chase-Riboud. On display at Serpentine North until 10 April 2023, this is the artist’s first institutional solo presentation in