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Research

Here you'll find resources and research relating to the jewellery industry and allied trades...

'The Market for Craft' research report published

The Crafts Council and a national partnership of 8 organisations, Arts Council of Wales ,  Contemporary Visual Arts Network ,  Craft Northern Ireland ,  Craft Scotland , Crafts Council,  Creative Scotland ,  Creative United ,  The Goldsmiths’ Company ,  Great Northern Events/Great Northern Contemporary Craft Fair , have launched the first report into the consumer market for British craft in over a decade. The main finding that craft sales exceeded £3 billion in 2019 in the Market for Craft Report . The first report to identify and gauge appetite for British craft for over a decade reveals our passion for

Museum of Arts And Design New York, Appoints Christian Larsen as Windgate Research Curator

The Museum of Arts and Design (MAD) today announced the appointment of Christian Larsen to the position of Windgate Research Curator, effective immediately.  In this position, funded by the Windgate Charitable Foundation, Larsen will lead an educational and curatorial partnership between the Museum of Arts and Design and Bard Graduate Center (BGC) to increase the visibility of craft and design in art history and the contemporary art world. He replaces Elissa Auther who was named Deputy Director of Curatorial Affairs and William and Mildred Lasdon Chief Curator last September. 'With great enthusiasm, we welcome Christian to the curatorial team at

Creative UK launches critical new survey into creative funding and finance

Creative UK are conducting research to investigate how creative businesses and organisations utilise finance, and want to hear from you –  CLICK HERE . New research is being undertaken by Creative UK in partnership with the Creative Policy and Evidence Centre (PEC) and BVA BDRC, supported by the  Bloomberg Philanthropies , the  Creative Industries Council  and  YouTube .  This research , titled  Access to Finance ,   seeks  to capture experiences and perspectives as to how creative businesses and organisations (e.g. Small and Medium Enterprises (SMEs), Not-for Profits, etc.) use finance and funding as they grow.  It’s  a critical window of

Middlesex University

We are a progressive London  university  that puts our students first. We are proud to provide expert teaching that is informed by inspiring research and practice. Undergraduate: Jewellery and Accessories - BA (Hons) Postgraduate: Jewellery Furures- MA www.mdx.ac.uk

Contemporary Jewellery: Exploring Its Impact on Well-Being

Contemporary Jewellery: Exploring Its Impact on Well-Being (exhibition) 29 October - 8 November 2024 Loughborough University Arts A jewellery exhibition of doctoral research on how contemporary jewellery impacts well-being. Throughout history, jewellery as an intimate object, has decorated our bodies and developed a variety of meanings and functions. This exhibition presents parts of Yajie’s doctoral research, exploring whether and how contemporary jewellery impacts people’s well-being. The exhibition also traces Yajie’s artistic practice in contemporary jewellery, from initial inspiration and material experimentation to the creation of final pieces.  This PhD research employed various methods, including well-being scales, diaries, and semi-structured interviews

Jewelry in a Duet

Laura Volpi’s work is a synthesis of energy, research and matter that takes shape through the elaboration of visual stimuli from our contemporaneity, to create jewels that reveal each a different part of her creative storytelling. She conducts an accurate study of volume and a research of the sculptural shape, to create a jewel that explores the boundaries of movement in a wearable dimension writes Ilaria Ruggiero. She was first influenced by Davide De Paoli, who initiated her to the potentialities of plate sculpture, and by Arnaldo Pomodoro, whom she could meet through a scholarship. During the collaboration with Pomodoro, which

Giulia Savino: Which city belongs to you?

Giulia Savino’s main artistic research explores the concept of identity, ownership and belonging through the representation of city maps writes Ilaria Ruggiero. Giulia Savino’s main artistic research explores the concept of identity, ownership and belonging through the representation of city maps. Her main body of work, called 1: 20.000, is a compilation of maps, a collection of cities in form of jewels. As "the map is not the territory" but just one of the many possible representations of reality, each jewel is a personal interpretation of the city that takes / loses its shape in the interaction with the body. Each

When digital meets craft: An open view by Chiara Scarpitti

Chiara Scarpitti is an Italian multidisciplinary artist and designer specializing in contemporary jewelry. Her research investigates different aspects of the contemporary material culture, exploring technology through a humanistic approach. She is one of the few designers able to perfectly synthesize the historical dimension of research, through the eyes of the present, projecting it directly to the future, thanks to the ability of balancing technique, narrative and vision. Through her work, the tradition finds a new identity, thanks to aesthetic and technical innovation. In Chiara’s pieces emerges, perfectly balanced, a collection of suggestions from different narrations and imaginaries. Nature, in its

ENSEMB7E Presents: ‘Hidden Layers’

‘Hidden Layers’ - An exhibition staged by MA by Project Artists Jewellery | Ceramics | Sculpture | Painting | Installation Hidden Layers serves as a metaphor for the outcomes encountered on the path of the search .  The ‘deep learning’ uncovers hither-to protected or concealed layers within an individual’s practice.  Diverse research areas and fine art practices combine to form this multi-disciplinary group – building an individually stronger practice.  Through our research, lost, yet to be discovered, or the newly imagined are encountered. Installations and memory objects subvert conventional notions of home as a safe haven | Evocative landscapes allude

Preciousness Beyond Stones

It is usually thought that the preciousness of a jewel lies in the preciousness of the materials or the stones that have made it... but experimentation in the field of jewellery research and design is instead expanding the boundaries of preciousness in an incredible way, including the combination of more and more alternative materials which are not directly associated with traditional jewellery writes Ilaria Ruggiero. Lodovica Fusco, Italian designer and founder of the COLLANEvrosi brand, for example, in her Sea Bed collection aims at representing the seabed in summer and the creatures to be found there; so that shapes, materials and

Jewellery runs Adagio

Adagio is an artistic project about time writes Ilaria Ruggiero in her exhibition review. As photography teaches us, an image is the pure settling for rhythm, the sense of time descending into vision. This is a delicate project that deals with light and movement through the diverse artistic forms of photography and jewellery. A minimalist and conceptual work that is reflected in the dual aesthetic soul of the image and the jewel: both evanescent yet present, stylized and essential. Letizia Maggio's technical and artistic research evolves into a sophisticated and complex narration, which mixes materials such as cotton, silver and

Donald Friedlich: The Glass Alchemist

Donald Friedlich can be called a glass alchemist. Fascinated by its chemical, material and aesthetic properties, he has dedicated the last twenty years of his artistic research to the discovery and exploration of this material, so elusive and challenging writes Ilaria Ruggiero. Among the many achievements, in 2003 he was the first jeweller to be an Artist in Residence at The Studio of the Corning Museum of Glass. In 2004 Friedlich was a featured speaker at an international jewellery conference in Melbourne, Australia and an Artist in Residence in both the Glass and Goldsmithing Programs of Canberra School of Art at

Jewelry links: The power of jewelry as a social, political and creative connection

I’ve been following the Turkish contemporary jewellery art scene for a few years now and I have always had the feeling that in the development of their art and design there was something singular and unique. This is both in terms of stylistic evolution and research, and in the formation of a compact, intelligent and measured identity and a creative movement involving artists and designers either individually or collectively. The exhibition JEWELRY LINKS, on view until 11 August at alja&friends gallery in Vienna, brings together 13 jewelry artists from Turkey with the aim of showing stylistically and technically idiosyncratic work

Measured - Sue Lorraine @ Gallery Funaki

Measured -  Sue Lorraine Gallery Funaki, Victoria, Australia 30 July - 24 August 2019 Sue Lorraine is a leading Australian jewellery artist with a practice that spans over thirty-five years. A partner and founding member of the jewellery studio, Gray Street Workshop and from 1999-2008 the Creative Director of the Metal Design Studio, JamFactory, Adelaide. Sue exhibits nationally and internationally and has work in every state collection of Australia. Her exhibition practice is founded in conceptual and research-based methodologies. Sue works predominantly in steel, in a style that is graphic, minimal and refined. More recently she has incorporated found objects and materials into her work

The Goldsmiths' Company Jewellery Materials Congress

The Goldsmiths' Company Jewellery Materials Congress Monday, 8 - Tuesday, 9 July 2019 Goldsmiths' Hall, London The Goldsmiths' Company will be holding its first Jewellery Meterials Conference from 8 to 9 July 2019 at Goldsmiths’ Hall. This Congress forms part of a series of activities designed to advance and disseminate knowledge and to encourage research and its exploitation in the field of jewellery & silverware technology.  About the Congress The Goldsmiths' Company Assay Office will be holding a major international conference on 8 and 9 July 2019, at Goldsmiths' Hall.  The Jewellery Materials Congress will support the jewellery and silverware community by providing a collaborative,

Luca Tripaldi: A Gothic View

The Gothic and Baroque strand in contemporary ceramics is finding several prominent exponents in the international arena, each characterized by personal tastes and styles writes Ilaria Ruggiero. One of these is certainly Luca Tripaldi, who combines his intense activity as a sculptor and teacher, with continuous research and technical experimentation that is often directed into jewellery. In the past he worked for many years at Mario Audello in Turin as sculptor, making masks and special effects for many opera houses like “Scala di Milano” and “Arena di Verona”, etc. Attention to scenography, detail, theatricality and narrative components are all easily traceable

MRE's Advanced Materials for the Future Conference

MRE's Advanced Materials for the Future Conference 23 - 24 April 2024 Business Design Centre, London Returning in its 10th year, MRE's Advanced Materials for the Future Conference. Full of new insights about material research and innovations taking place across the UK. Find targeted seminars on a range of cutting-edge areas such as materials for net zero across a number of sectors. This event enables collaboration between industry and academic communities. The event is sponsored by The Henry Royce Institute. What can you expect? We are planning for targeted seminars on a range of cutting-edge areas such as materials for

‘Wearable Memories: Stones of the Grassland’

‘Wearable Memories: Stones of the Grassland’ Martin Hall Gallery,  Loughborough College 12pm-2pm, weekdays only from 26 September - 11 October 2024 PhD researcher Zihan Zhou presents jewellery and research work from her doctoral project within the exhibition ‘Wearable Memories: Stones of the Grassland’. The exhibition will be open in Martin Hall Gallery from 12pm-2pm, weekdays only from 26 September until 11 October.   There will be an opening and preview event on Thursday 26 September, 4pm-6pm. This event is open to all and no booking is required. This exhibition is part of Zihan's ongoing practice-based doctoral project, 'Wearable Memories: Contemporary

Robert Baines: Living Treasure and Fabulous Follies

The exhibition Robert Baines: Living Treasure and Fabulous Follies  is organized by Gallery Loupe for Contemporary Art Jewelry, Montclair, New Jersey, in collaboration with the Arkansas Arts Center and aims at celebrating the dazzling and witty work of the master goldsmith, craftsman and leading scholar in the field of archaeometallurgy. Everything in his creative research started when The Metropolitan Museum of Art encouraged him to make copies of pieces in their collection and testing them. This has developed his personal understandings that jewelry artifact crystallizes “human drama” and this knowledge base has empowered my trajectory into playing with jewelry history and

Blunt Blades

Contemporary Intervention by Leading Artist Arabel Lebrusan Opens at The Higgins Bedford: Blunt Blades 11 November 2021 - 30th October 2022  The Higgins Art Gallery & Museum, Bedford  Blunt Blades , a new display exploring our complex relationships with knives and their variety of roles by leading visual artist,  Arabel Lebrusan , opens at  The Higgins Bedford  on Thursday 11 November 2021. Knife crime in the UK is the highest it has been in over a decade. Informed by years of research after Arabel received three crates of confiscated knives and weapons from Bedfordshire Police in 2013, this display explores

Q&A: Stephen Bottomley

Stephen Bottomley is a Jewellery Designer, Academic and Researcher and  will take up position as the new Head of School at the School of Jewellery Birmingham this Spring. Formerly he was the Head of Department and Programme Director of BA & MFA Jewellery and Silversmithing at Edinburgh College of Art. Up until recently he was also Director Post Graduate Research in the School of Design, the Chair of RAFT an Interdisciplinary Network at ECA and on the Board of Craft Scotland. Stephen's jewellery is represented in collections at the National Museums Scotland, British Museum, South East Arts Collection and Royal

Glenmorangie Annual Lecture: Simone ten Hompel

Glenmorangie Annual Lecture: Simone ten Hompel 7:00pm – 8:15pm, Thursday 10 October 2019 National Museum of Scotland, Edinburgh Silversmith Simone ten Hompel discusses her commission from National Museums Scotland and The Glenmorangie Company to create a new piece of contemporary metal artwork inspired by the museum’s early medieval collections. About the Commission As part of the Creating Scotland project, National Museums Scotland and Glenmorangie have commissioned a major new piece of contemporary metalwork for display in the National Museum of Scotland. The current phase of the Glenmorangie Project, Creating Scotland, sees the research focus on the 9th to 12th centuries,

OROAREZZO 2019

OROAREZZO 2019 6 - 9 April 2019 Everything is ready for the next edition of OROAREZZO, the event that promotes the best Italian goldsmithing production internationally, which this year reaches the important milestone of the 40 anniversary. The quintessential appointment of the Made in Italy goldsmithing sector, managed by Italian Exhibition Group and scheduled from April 6 to 9 at Arezzo Fiere e Congressi, brings together some of the best Italian manufacturing companies through exhibitions dedicated to jewelry, silverware, semi-finished products and stones. Innovation, stylistic and technological research; state-of-the-art products that, according to tradition, follow the rules of industrial production.

Future Craft Conference: Entrepreneurship or Enterprise?

Future Craft Conference: Entrepreneurship or Enterprise? The University for the Creative Arts is liaising with leading institutions to instigate and explore 'Future Craft'. The first in a series biennial conferences will offer an opportunity to discuss, engage, debate, publish and disseminate new research starting with craft issues within the Jewellery and Silversmithing industries.   The opening conference seeks to provide a framework for a discussion on and around ‘Entrepreneurship or Enterprise?’ By celebrating present achievements and ideas we can look forward to exploring what the future might hold.  Possibilities for the next ‘Future Craft’ conference to be hosted by Queensland College

A Quiet Unfolding of Ideas. A retrospective Exhibition: Pamela Ritchie

A Quiet Unfolding of Ideas. A retrospective Exhibition: Pamela Ritchie  2017 Saidye Bronfman Award Laureate Pamela Ritchie creates jewellery that explores linkages between traditional craft processes, contemporary ideas of science and culture, and the language of alternative materials. Her work celebrates the concentrating effect of detail, and the paradox that an abundance of ideas, form, and pattern can be encapsulated in very small objects.  Her studies include an MFA from the Nova Scotia College of Art and Design and postgraduate research work in Norway supported by a scholarship from the Association of Universities and Colleges of Canada in conjunction with

Cutting Edge - Contemporary Glass Jewellery Exhibition

Cutting Edge - Contemporary Glass Jewellery Exhibition A special edition for New York City Jewellery Week 12 th  – 17th November 2018 Adornment has the pleasure to present, on the occasion of the  New York City Jewellery Week , a special edition of  Cutting Edge , an exhibition of jewellery design and research into glass, first announced in Venice within the Venice Glass Week. The exhibition will be held in the revolutionary spaces of R & Company on 64 White Street, a showcase for global modernism spanning two centuries and focused on the future of design, from 12th – 17th

The Textures of Craft, Heritage Crafts Association Annual Conference

The Textures of Craft, Heritage Crafts Association Conference Kaffe Fassett, worldwide authority on textiles and colour, is keynote speaker at The Textures of Craft, the conference of the Heritage Crafts Association on Saturday 6th May 2017. Kaffe kicks off a spectacular day when craftspeople and anyone interested in the UK’s rich heritage of traditional skills can hear from makers, browse the Instant Gallery, celebrate the best craftspeople in the country and find out more about the Heritage Crafts Association’s research into endangered crafts: The Radcliffe Red List. Other speakers include archaeologist, historian and TV presenter Dr Alex Langlands, potters Lisa Hammond

GIA Gemological Symposium

GIA (Gemological Institute of America) will convene its sixth International Gemological Symposium in Carlsbad, California to feature science and business tracks; participation by Harvard Business School Focused on the theme “New Challenges. Creating Opportunities” the three-day event will offer insight into the latest gemological research including recent findings by GIA and other leading researchers. Professors from the Harvard Business School (HBS) will lead a track on business concepts and innovations, using the renowned case-study method employed in all HBS programs, including the annual GIA Global Leadership Program. The Symposium will also celebrate the centennial of Richard T. Liddicoat, the beloved

Point of No Return with Christoph Zellweger at K2 Academy of Contemporary Jewellery

Point of No Return at K2 Academy of Contemporary Jewellery with Christoph Zellweger 4 ½ Day Workshop 14th – 17th August 2018 This workshop 'POINT OF NO RETURN' will be led by Swiss jewellery artist and designer Christoph Zellweger, who’s commitment to applied research as a visionary practitioner and experienced coach has gained international recognition. The workshop is aimed at professional colleagues from all parts of the world, as well as ambitious students and amateurs, who wish to progress their work and to give direction to their practice. Point of No Return Get going, get started, carry on, stretch far, move forward, retreat,

Need for flexible working may underpin gender pay gap

A desire for flexible working arrangements and a reluctance to relocate for more senior roles were the reasons behind a gender pay gap in the jewellery retail industry that was higher than the national average, research has shown. Pay differentials between men and women for equal jobs ranged from 2% higher at Links of London to 91.6% lower at Pandora, where women effectively have been earning 28p for every £1 earned by a man.  But the data, collected and collated by the Government’s Gender Pay Gap Service, did not take into consideration the proportion of store employees who make up

Crayola Colour Crush

The month of April is now upon us which makes it just the right time to get our new-season wish-lists  brimming with the trend-train must-haves! With the international fashion weeks done and dusted, we've done our trends research for the upcoming months and there's only two words for it: Colour. Explosion. With the politics and news of the world in a permanent state of gloom and malaise, the creative designers of 2018 have taken action to whip away the dullness with a kaleidoscopic dive into Crayola rainbow colours. Nothing short of uplifting, inspiriting and energising, the underlying message from S/S

Intermediate & Advanced Workshop Projects at K2 Academy

Intermediate & Advanced Workshop Projects at K2 Academy 10 Week Course - Fridays 20 April 2018 - 6 July 2018 What will be taught? Each term focuses on a different topic where students will be taught how to explore new designs and ideas within a set theme. This term we concentrate on casting with an overall theme of 'Food glorious food' and we will start off with an inspirational research into food in the widest sense. From the food itself, to food packaging, cooking utensils etc.  This theme can then used for making a specialised piece, which can include different

GIA Demonstrates Prototype Mounted Gem Testing Device

The GIA have announced their intention to introduce for sale later this year an easy-to-operate, sophisticated desktop instrument to reliably identify natural diamonds, separating them from all simulants and from diamonds that may be synthetic or treated.   The GIA mounted gem testing device combines advanced spectroscopic technology; GIA’s extensive research into the qualities of natural, treated and synthetic diamonds; and decades of diamond analysis experience to identify more than 97% of untreated natural mounted and un-mounted D-to-Z diamonds 0.9 mm or greater in diameter (approximately 0.005 carat). Diamonds that may be synthetic or treated and all simulants are referred