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Robert Baines: Living Treasure and Fabulous Follies

The exhibition Robert Baines: Living Treasure and Fabulous Follies is organized by Gallery Loupe for Contemporary Art Jewelry, Montclair, New Jersey, in collaboration with the Arkansas Arts Center and aims at celebrating the dazzling and witty work of the master goldsmith, craftsman and leading scholar in the field of archaeometallurgy. Everything in his creative research started when The Metropolitan Museum of Art encouraged him to make copies of pieces in their collection and testing them. This has developed his personal understandings that jewelry artifact crystallizes “human drama” and this knowledge base has empowered my trajectory into playing with jewelry history and

Mad Exhibition Explores Fake News, Sensationalist Headlines, and Conspiracy Theories Through Jewellery

Mad Exhibition Explores Fake News, Sensationalist Headlines, and Conspiracy Theories Through Jewellery Fake News and True Love: Fourteen Stories by Robert Baines The Museum of Arts and Design, New York 16 October 2018 – 3 March 2019 The Museum of Arts and Design (MAD) is pleased to present Fake News and True Love: Fourteen Stories by Robert Baines, a solo exhibition of jewelry by Australian artist Robert Baines, on view October 16, 2018, through March 3, 2019. The exhibition centers on fourteen fanciful news stories, of which Baines' jewelry serves as "evidence." Using rings, parures, neckpieces, and bracelets, the artist

Q&A: Robert Organ

Robert Organ is the Deputy Warden of the Goldsmiths’ Company’s Assay Office in London. Robert, of Welsh heritage, hails from Gwent. He gained a degree in Natural Sciences and a PhD from Emmanuel College, University of Cambridge. He joined the Assay Office London as Superintendent Assayer in 2000, and has been responsible, over the seventeen years of his tenure, for the introduction of new technologies such as laser marking and XRF machines within the modern day assaying process, as well as the introduction of sub-assay offices. He also played an active part in the successful lobbying for the exclusion of

Karolina Baines: Beauty in Interaction

Not only goldsmith tradition characterizes Karolina Baines’s work. She starts from there to explore the creation through many different techniques like sketches, painting, printmaking and mixed media. She aims at balancing shapes, colours and texture in a very refined and delicate way. Her pieces are always very malleable while keeping a strong and independent sense of movement. I addressed her few questions to better understand her world, writes Ilaria Ruggiero. IR: Where does your passion for jewellery come from? KB: I suppose I think of myself as a designer/maker first, and then as specifically a jewellery designer/maker. I love bringing ideas IR: Have

Robert Gordon University Aberdeen, Gray’s School of Art

Scotland's Gray's School of Art is located on our inspiring parkland campus along the banks of the River Dee on the southern edge of the city of Aberdeen . Gray's is a highly challenging and stimulating place to develop and refine your creative education. Undergraduate: Three Dimensional Design (Ceramics, Glass and Jewellery) - BA (Hons) www.rgu.ac.uk

Deputy Warden of the Goldsmiths’ Company Assay Office Retires

The Deputy Warden of the Goldsmiths’ Company Assay Office in London, Dr Robert Organ, is to retire after 21 years of service. Robert began his career at the Goldsmiths’ Company in 2000 as Superintendent Assayer of the London Assay Office, before taking over as Deputy Warden (Managing Director-equivalent) in 2006. The Goldsmiths’ Company has been responsible for guaranteeing the purity of items made of precious metals since 1300, when the hallmarking statute was passed. Commenting on his retirement, Robert said, “It has been a privilege and honour to serve as Deputy Warden. I have taken great pride in adding to

RELIC

RELIC This is Metalsmith Rebecca Gouldson’s first foray into curating with this exhibition entitled RELIC. The exhibition draws on Rebecca’s interpretation of the theme as “a collection of objects which capture my imagination, chosen for their appearance of being found, rather than recently made; aged rather than new. They appear to have a history, told through their form, their surface marks and sometimes in their arrangement or display.” Exhibiting makers include Rebecca Appleby, Karolina Baines, Elaine Bolt, Jane Cairns, Anne-Laure Cano, Amanda Denison, Rebecca Gouldson, Ruth Leslie, Claire Malet, Jo Pond, Paul Wearing, Rachel Wood and others to be announced

Rhythm & Geometry - Constructivist Art In Britain Since 1951

Rhythm & Geometry - Constructivist Art In Britain Since 1951 Lakeside Arts, Nottingham Friday 7 April - Sunday 23 July 2023 This exhibition celebrates the abstract and constructed art made and exhibited in Britain since 1951 with works from the collection of the Sainsbury Centre for Visual Arts, University of East Anglia. Encompassing sculpture, reliefs, mobiles, painting, drawing and printmaking, the exhibition spans work from the beginning of the 1950s to the present-day. Artists include: Robert Adams, Yaacov Agam, Lygia Clark, Anthony Hill, Kenneth Martin, Mary Martin, François Morellet, Victor Pasmore, Takis, Mary Webb, Victor Vasarely, Gillian Wise and Li

Flexibility, Creativity & Productivity: The New Industry Model for Working

In 1926, Henry Ford introduced the 8-hour working day, now not-so-lovingly colloquialised as ‘the 9-5’. Back then, this revolution changed the way people lived- from working 10-16 hours a day, 6 days a week, to what reformist Robert Owen formulated as “eight hours labour, eight hours recreation, eight hours rest” . The dramatic decrease in hours actually led to higher productivity, and consequently higher profit margins. This model has reigned supreme for almost a century, but now people are now beginning to question whether it’s time to rethink working patterns once again. The Swedish famously trialled a 6-hour workday, in

Higher Education Institutions

We've complied a list of all the national organisations offering jewellery, silversmithing or metal at HND or degree level here... Coleg Sir Gâr, Carmarthen School of Art www.colegsirgar.ac.uk Central Saint Martins www.arts.ac.uk/csm Edinburgh College of Art, University of Edinburgh www.eca.ed.ac.uk Glasgow School of Art www.gsa.ac.uk Gray’s School of Art, Robert Gordon University Aberdeen www.rgu.ac.uk Hereford College of Arts www.hca.ac.uk Kensington and Chelsea College www.kcc.ac.uk London College of Fashion www.arts.ac.uk/fashion Middlesex University www.mdx.ac.uk National College of Art and Design www.ncad.ie Plymouth College of Art www.plymouthart.ac.uk School of Jewellery, Birmingham City University www.bcu.ac.uk/jewellery Sheffield Hallam University www.shu.ac.uk Staffordshire University www.staffs.ac.uk Turo and